Increases In Composer Success Based On Musical Genres

Authors

DOI:

https://doi.org/10.47611/jsrhs.v13i1.5573

Keywords:

Music, Composers, Composer activity, Royalties, Composer success, Performances, Distribution

Abstract

This was a secondary analysis of the study "Taking Note: A Study of Composers and New Music Activity in the U.S.", conducted in 2008 by J. Jeffri. The researchers used logistic regression analysis to estimate differences in the odds of composers increasing their activities (e.g., royalties, performances) based on composer genre (e.g., classical, rock), while controlling for composer demographics. We used odds ratios and significant predictors of the odds of increased activity to determine which traits and genres determine a certain level of success, which was reported by the respondents. This was done by manually categorizing each of the composers into a category of genres, looking at the first genre that each respondent said that they composed in. We found that in general, younger composers tend to have more success than older composers, as the odds for an increase in commissions, performances, recordings and locations decrease for each year of age. We also found that successes for composers in the electronic genre are lagging behind not only the classical genre, but most of the other genres as well. In the future, we would like to see composers distribute their music to a more broad audience, along with artists and their teams reaching out to various music festivals and clubs to try to target more locations for performances, enabling for a larger audience.

Downloads

Download data is not yet available.

References or Bibliography

Homan, Shane. (2010). Dancing without Music: Copyright and Australian Nightclubs. Cultural

Trends, 9(34), 31-56, https://doi.org/10.1080/09548969909365078

Jeffri, J. (2008). Taking Note: A Study of Composers and New Music Activity in the U.S.

Inter-university Consortium for Political and Social Research [distributor], 2016-01-28.

https://doi.org/10.3886/ICPSR36325.v1

Laing, Dave (1999). The European music industry and European music policy. Cultural Trends,

(34), 31-56, https://doi.org/10.1080/09548969909365078

Pitt, I. L. (2010). Superstar effects on royalty income in a performing rights organization. Journal of

Cultural Economics, 34(3), 219–236. http://www.jstor.org/stable/41811055

Published

02-29-2024

How to Cite

Smith, E., & Taylor, J. (2024). Increases In Composer Success Based On Musical Genres. Journal of Student Research, 13(1). https://doi.org/10.47611/jsrhs.v13i1.5573

Issue

Section

AP Capstone™ Research