Ambient Sounds and Subliminal Layering in Low-Fidelity Music
DOI:
https://doi.org/10.47611/jsrhs.v11i4.3299Keywords:
Music Perception, Subliminal Communication, Lo-Fi Music, Mental Health Improvement, Associationism Theory, Ambient SoundsAbstract
Ambient sounds can generate emotional affective responses in listeners and are often used as “distortions” in Low Fidelity (Lo-Fi) music. To further explore Lo-fi music’s relaxing characteristics and the uses of ambient sounds as methods of relaxation and mental health improvement, the emotional affective nature of ambient sounds when used as the “distortions” in Lo-Fi music was focused on in this study. To accomplish this goal, auditory subliminal perception was integrated into the experiment. This study is the first study that relates subliminal perception and sound perception, in correlation with ambient sounds and the psychological effects they can have. Utilizing a pre-experimental research method with a within-subjects design, establishing each subject as their own experimental control, the experimental research study was administered through a series of surveys. The results derived point to the possibility that the ambient stimulus loses its individual emotion-inducing nature as it transforms, when subliminally embedded into a larger composition of music, into something like background noise. Through this study, a new field of research has opened for the scientific community and further research will no doubt yield much more promising results, opening another door to understanding human sound perception and its effects on emotion.
Downloads
References or Bibliography
(included at end of article)
Alvarsson, J. J., Wiens, S., & Nilsson, M. E. (2010, March). Stress recovery during exposure to nature sound and environmental noise. Retrieved from https://www.ncbi.nlm.nih.gov/pmc/articles/PMC2872309/
Andringa, T. C., & Lanser, J. J. (2013, April 08). How pleasant sounds promote and annoying sounds impede health: A cognitive approach. Retrieved from http://www.ncbi.nlm.nih.gov/pmc/articles/PMC3709327/.
D’Errico, M. (2015). Off the grid: Instrumental hip-hop and experimentalism after the golden age. In J. Williams (Ed.), The Cambridge Companion to Hip-Hop (Cambridge Companions to Music, pp. 280-291). Cambridge: Cambridge University Press.
doi:10.1017/CCO9781139775298.026
Egermann, H., Fernando, N., Chuen, L., & McAdams, S. (2015, January 07). Music induces universal emotion-related psychophysiological responses: Comparing Canadian listeners to Congolese Pygmies. Retrieved from http://www.ncbi.nlm.nih.gov/pmc/articles/PMC4286616/.
Fritzsche, Peter & Boym, Svetlana. (2001). The Future of Nostalgia. Slavic Review. 61. 128.
2307/2696986.
Huron, D. (2015). Affect induction through musical sounds: An ethological perspective.
Philosophical Transactions of the Royal Society B: Biological Sciences, 370(1664),
doi:10.1098/rstb.2014.0098
Kania, A. (2017, July 11). The Philosophy of Music. Retrieved from https://plato.stanford.edu/entries/music/
Ntcomms, Says:, K., & Says:, N. (2013, January 09). What it says I don't know, but it sings a loud song: Reflections on birdsong, meaning, and place. Retrieved from http://ntplanning.wordpress.com/2013/01/11/what-it-says-i-dont-know-but-it-sings-aloudsong-reflections-on-birdsong-meaning-and-place/.
Ramsøy, T. Z., & Overgaard, M. (2004). Introspection and subliminal perception.
Phenomenology and the Cognitive Sciences, 3(1), 1-23.
doi:10.1023/b:phen.0000041900.30172.e8
Reybrouck, M., Podlipniak, P., & Welch, D. (2019). Music and Noise: Same or Different? What
Our Body Tells Us. Frontiers in Psychology, 10. doi:10.3389/fpsyg.2019.01153
Sauter, D. A., Eisner, F., Ekman, P., & Scott, S. K. (2010). Cross-cultural recognition of basic emotions through nonverbal emotional vocalizations. Proceedings of the National Academy of Sciences, 107(6), 2408-2412. doi:10.1073/pnas.0908239106
Singh, S. N., & Cole, C. A. (1985). Forced-Choice Recognition Tests: A Critical Review.
Journal of Advertising, 14(3), 52-58. doi:10.1080/00913367.1985.10672958
Smith, L. (n.d.). Retrieved from http://oregonstate.edu/instruct/soc499/cordray/media/sublmgs.html
Wang, J. (n.d.). Lofi hip-hop radio: Beats to relax/study to. Retrieved from https://ojs.stanford.edu/ojs/index.php/theword/article/view/1705
Winston, Emma & Saywood, Lawrence. (2019). Beats to Relax/Study To: Contradiction and Paradox in Lo-Fi Hip Hop. IASPM Journal. 9. 40-54. 10.5429/2079-3871(2019)v9i2.4en.
Winterman, D. (2013, May 08). The surprising uses for birdsong. Retrieved from http://www.bbc.com/news/magazine-22298779#
Published
How to Cite
Issue
Section
Copyright (c) 2022 Navya Murahari; Sarah Pinard
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Copyright holder(s) granted JSR a perpetual, non-exclusive license to distriute & display this article.