An Exploration of Post-Postmodern Political Irony in Contemporary American Late-Night Television Shows
DOI:
https://doi.org/10.47611/jsrhs.v11i3.2913Keywords:
Political Satire, Irony, Post-Postmodern, Late-Night TV, LiteratureAbstract
Philosopher and writer David Foster Wallace introduced the world to the post-postmodernist literature movement, a movement centered around the assertion that political satire, following the beginnings of the 21st century, shifted towards the utilization of more “authentic” tactics to satirically undermine authority. Following the movement’s introduction, numerous scholars have followed suit, conducting similar studies consistent with Wallace’s initial findings. However, as further noted throughout this paper, these scholars utilize a relatively “unmodernized” definition of irony. By employing a more “complex” interpretation of irony, I seek to measure the accuracy of the current conclusions surrounding 21st-century political satire, specifically through the medium of late-night television. I examined multiple late-night television shows prior to and during the 21st century to determine if this medium of political satire has truly shifted towards the utilization of more “sincere” tactics to undermine authority. This paper was written with the initial assumption that the current conclusions surrounding political satire would fall short with the integration of this more complex outlook of irony, and through the research process, this phenomenon was proven to be accurate. The study concludes that the medium of political satire utilizes more complex ironic devices that were not initially identified in current research surrounding post-post-postmodernism. This research indicates that late-night television satire possesses the ability to heavily muddle the audiences’ interpretation of satirical statements. Therefore, the analysis and conclusions provided by this paper can be used to introduce audiences to these emerging forms of irony and illustrate the frequency of such rhetorical strategies.
Downloads
References or Bibliography
Adams, Rachel. “The Ends of America, the Ends of Postmodernism.” Twentieth-Century Literature, vol. 53, no. 3, 2007, pp. 248–72, http://www.jstor.org/stable/20479813.
Dulk, Allard Den. “BEYOND ENDLESS ‘AESTHETIC’ IRONY: A COMPARISON OF THE IRONY CRITIQUE OF SØREN KIERKEGAARD AND DAVID FOSTER WALLACE’S ‘INFINITE JEST.’” Studies in the Novel, vol. 44, no. 3, 2012, pp. 325–45, Retrieved From: http://www.jstor.org/stable/23406576.
Frenda, Simona. “Ironic Gestures and Tones in Twitter.” Italy Gruppo Meta, 2016, Retrieved From: http://ceur-ws.org/Vol-2006/paper060.pdf.
Gerring, John. “What Is a Case Study and What Is It Good For?” The American Political Science Review, vol. 98, no. 2, 2004, pp. 341–54, http://www.jstor.org/stable/4145316.
Leal, Carrisa M. “The Progression of Postmodern Irony: Jennifer Egan, David Foster Wallace and the Rise of Post-Postmodern Authenticity.” Harvard Library, 2017, Retrieved From: https://dash.harvard.edu/handle/1/37736743
LeBeouf, Megan. “The Power of Ridicule: An Analysis of Satire.” Senior Honors Projects, Paper 63, 2007, Retrieved From: http://digitalcommons.uri.edu/srhonorsprog/63.
Lestari, Widia. “IRONIC ANALYSIS OF MEMES ON INSTAGRAM AND SOCIAL MEDIA.” Pioneer, Volume 10, Issue 2, 2018.
Miller, Paul Allen. “Ethics and Irony.” SubStance, vol. 38, no. 3, 2009, pp. 51–71, Retrieved From: http://www.jstor.org/stable/40493008.
McLaughlin, Robert L. “After the Revolution: US Postmodernism in the Twenty-First Century.” Narrative, vol. 21, no. 3, 2013, pp. 284–95, http://www.jstor.org/stable/24615397.
Moling, Martin. “‘No Future’: Time, Punk rock and Jennifer Egan’s A Visit from the Goon Squad.” Arizona Quarterly: A Journal of American Literature, Culture and Theory 72.1, 2016, pp. 51-77.
Mulken, Margot Van, et al. “Finding Irony: An Introduction of the Verbal Irony Procedure (VIP).” Metaphor and Symbol 26.3, 2011, pp: 186–205.
Parkin, Michael. “Taking Late Night Comedy Seriously: How Candidate Appearances on Late Night Television Can Engage Viewers.” Political Research Quarterly, vol. 63, no. 1, 2010, pp. 3–15, Retrieved From: http://www.jstor.org/stable/27759882.
Pallawarukka, Adrian S. “THE ABSURDITY AND IRONY OF GENERATION Z MEME CULTURE.” OSF Preprints, 2022. https://doi.org/10.31219/osf.io/xzru3
Wallace, David Foster. “E Unibus Pluram: Television and U.S. Fiction.” Biography in Context, Volume 1.2, 1993.Wilde, Alan. “Irony in the Postmodern Age: Toward a Map of Suspensiveness.” Boundary 2, vol. 9, no. 1, 1980, pp. 5–46, https://doi.org/10.2307/3087148.
Published
How to Cite
Issue
Section
Copyright (c) 2022 Aidan Li
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Copyright holder(s) granted JSR a perpetual, non-exclusive license to distriute & display this article.