Evaluating J.D. Salinger’s Female Characters Through Beauvoir's French Feminist Theory

Authors

  • Cameron Grier Coral Springs High School
  • Russell Aaronson Coral Springs High School (Broward Schools)

DOI:

https://doi.org/10.47611/jsrhs.v10i1.1404

Keywords:

Feminism, Salinger, The Catcher in the Rye, Franny and Zooey, Beauvior

Abstract

J.D. Salinger’s books have brought new and experimental ideas to post-World War II America; for example, the introduction of the adolescent perspective in The Catcher in the Rye. This innovation resulted in a majority of the critical analysis conducted to be based on the adolescent perspective. However, since this criticism is primarily focused on the main character, Holden Caulfield’s, perspective, analysis of Salinger’s female characters’ perspective has been discounted in the academic world. The lack of female perspective recognized in Salinger’s novels makes it difficult for female readers to identify with his characters. This study aims to bring forth Salinger’s most prominent female characters fromThe Catcher in the Rye and Franny and Zooey and evaluate their alignment with Simone De Beauvoir’s French feminist theory. The French feminist theory focuses on how women are taught that they are the “other” sex in comparison with men from a young age, and what situations a woman must be in to transcend subordination. The researcher designed a rubric including the primary ideas of Beauvoir’s French feminist theory as described in the second volume of her book The Second Sex and tested the ideas’ alignment with selected characters. All of the characters chosen aligned with ideas of the theory to some extent, which shows that many of Salinger’s most prominent female characters occupy subordinate positions in comparison to their male counterpart. This research can serve as a basis for how Salinger’s female characters can continue to be studied in the future.

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References or Bibliography

Beauvoir, Simone . The Second Sex. New York: Knopf, 1953. Print.

Burke, Declan. “Sixty Years and 65m Copies on: Holden Caulfield and the Great American Novel.” The Irish Times, The Irish Times, 13 July 2011, www.irishtimes.com/culture/books/sixty-years-and-65m-copies-on-holden-caulfield-and-the-great-american-novel-1.598801.

Ciocia, Stefania. “‘The World Loves an Underdog,’ or the Continuing Appeal of the Adolescent Rebel Narrative: A Comparative Reading of Vernon God Little, The Catcher in the Rye and Huckleberry Finn.” Children's Literature in Education, vol. 49, no. 2, 2016, pp. 196–215., doi:10.1007/s10583-016-9287-1.

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Mueller, Bruce, and Will Hochman. Critical Companion to J.D. Salinger. Facts On File, 2019.

Salinger, J. D. The Catcher in the Rye. Back Bay Books/Little, Brown and Company, 2018.

Salinger, J. D. Franny and Zooey. Back Bay Books/Little, Brown and Company, 2018.

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Strauch, Carl F., and Salinger. “Kings in the Back Row: Meaning through Structure. A Reading of Salinger's ‘The Catcher in the Rye.’” Wisconsin Studies in Contemporary Literature, vol. 2, no. 1, 1961, pp. 5–30. JSTOR, www.jstor.org/stable/1207365.

“The Catcher in the Rye.” Recommended Reading: 500 Classics Reviewed, June 1995, p. 1. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=lkh&AN=103331RRR10720089900070&site=lrc-plus.

Published

03-31-2021

How to Cite

Grier, C., & Aaronson, R. (2021). Evaluating J.D. Salinger’s Female Characters Through Beauvoir’s French Feminist Theory. Journal of Student Research, 10(1). https://doi.org/10.47611/jsrhs.v10i1.1404

Issue

Section

AP Capstone™ Research